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śllwste h tupopoihsh ths metatopishs odhgei
sthv ergaleiopoihsh tou idiou tou av8rwpivou swmatos, to opoio avtimetwpizetai
movo ws pragma, ws meso metaforas. Epevduovtai, dhladh, sto swma e3ousies,
katavagkasmoi, apagoreuseis kai upoxrewseis, me apotelesma va epiballetai
mia sxesh upakohs-xrhsimothtas avamesa sto swma kai to "xrhsth" tou. Etsi,
to atomo mporei va periferetai mesa stous dromous, evw tautoxrova o vous
tou eivai allou, sth douleia, to xrhmatisthrio, to meshmeriavo faghto,
to x8esivo se3, to auriavo mats. Dev eivai epomevws periergo oti h epikoivwvia
-pou die3agetai movo avamesa se eleu8era upokeimeva- dev pragmatwvetai
pote sto dromo, efosov oi perastikoi dev eivai ousiastika parovtes ws olothtes.
Apo th mia, loipov, pei8arxia kai upakoh, movoshmavth xrhsh twv dromwv, ta3h kai omoiomorfia, pragmopoihsh twv atomwv kai twv sxesewv, kai apo thv allh, ti; Apo thv allh uparxei to protagma ths ektrophs twv dhmosiwv xwrwv apo thv prodiagegrammevh leitourgia tous. Apo thv allh uparxei h epi8umia va epistrafei sto xwro h polushmia tou, va apotelesouv oi dromoi to avtikeimevo pollwv evallaktikwv xrhsewv (kai kataxrhsewv), va epavaprosdioris8ei h sxesh allhlepidrashs avamesa stov av8rwpo kai tov periballovta xwro. Yparxei h fortikh avagkh gia av8rwpivh suvavthsh kai epafh mesa stous dhmosious xwrous, xwris proapofasismeva desmeutika oria kai kavovismous, alla me movo gvwmova tov au8ormhtismo kai th duvamikh pou movo oi av8rwpives sxeseis krubouv. Apo thv allh uparxei to suvoliko orama mias ka8hmerivothtas pio plousias, pio saghveutikhs opou tipota dev eivai proka8orismevo, alla ola paizovtai. |
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